Showing posts with label Chicago. Show all posts
Showing posts with label Chicago. Show all posts
Friday, September 11, 2015
Adorn: Contemporary Wearable Art
Please join me in Chicago for this exciting show!
ADORN: Contemporary Wearable Art
Woman Made Gallery
685 N Milwaukee Avenue
Chicago, IL 60642
This exhibition showcases innovative works that challenge the traditions of jewelry, fashion, and wearable art as both personal adornment and public sculpture. Selections were curated by Yevgeniya Kaganovich, an artist, wearables designer, Professor and Chair of the Department of Art and Design at University of Wisconsin-Milwaukee, and head of its thriving Jewelry and Metalsmithing program. This event will correspond with the EXPO Chicago art fair.
September 18th - October 22nd, 2015
Artists Reception: Friday September 18th 6-8pm
Artists Talk: Friday, October 9th 4-6pm
Tuesday, June 23, 2015
Red Hot Summer Earrings
New Earring Alert! I've found time to make a few things in the studio lately and I'm really into these hot new stick earrings with red stockings. What do you think? I'm enjoying these splashes of color in my work.
http://www.sarahholdenmetalsmithing.com/shop/?model_number=1278729
http://www.sarahholdenmetalsmithing.com/shop/?model_number=1278729
Monday, May 11, 2015
Mother's Day
Yesterday I celebrated my first Mother's Day. It turned out to be much more than I had expected. My life has changed in so many wonderful ways since my mini metalsmith, Hazel, has entered my world. My husband totally spoiled me by giving me an entire day in the studio, complete with a coffee drop-off in the middle of the day and dinner, flowers, chocolates and a massage coupon waiting for me when I got home. I am still kind of shocked. How did Mother's Day turn into another birthday or anniversary day? I'm not complaining! Being a mom is hard work. I'm glad there is a day that everyone takes time to appreciate how much sacrifice goes into taking care of a little one. Mostly, I am still surprised at how emotional I got seeing everyone else's photos of their moms and reading their sweet words on social media. I mean, I always did that stuff when I was a kid, because you're supposed to, but something about being a mom and reading those words from the other side does something to you. Motherhood has been a powerful shift in my world. It has impacted the way I see the world and the reason why I make artwork. I am so thankful for this little girl. At five months old, I have already gone through a lot of ups and downs. She is the sweetest little thing and I am so excited to watch her grow into an amazing woman.
Thursday, April 30, 2015
Website Refresh
Oh yeah! It feels good to add a bunch of new work, news and updates to the website. I've got a few exciting exhibitions, lectures and print going on this summer and later this year.
If you haven't been to my website in a while, check it out here:
Tuesday, February 17, 2015
Mama Metalsmith Talk
In November last year, I did a studio tour for a few Art & Design Jewelry & Metalsmithing students from UW-Stout who were visiting Chicago for the SOFA Design Fair. I was excited to engage with students and see my colleagues Masako Onodera and Lynn Batchelder since I was far too pregnant to waddle around the SOFA exhibition. I was excited to introduce them to my new body of work about the experience of being pregnant.
This conversation of being a mom and having an artistic career, and whether or not this is supported by our field is a very interesting, current and relevant topic to me. I have to be honest, I was very quiet on social media about being pregnant. I was worried! I thought as soon as curators, galleries and people with potential job opportunities considered me, if they knew I was pregnant, the decision would be made for me. "Oh, she probably won't be able to do it. She's pregnant, ya know." The last thing I want is to not engage with the field any longer. Whether people knew and continued make me offers, or they didn't know and made me offers, whatever I did worked and I was still receiving invitations and acceptance into shows and opportunities. I still wonder if I had been more open about it, if I still would have been invited. This is why I feel the need to start this conversation. I WANT to be a mom and be a participating artist. I WANT to be the one who makes the decision about whether I can participate, travel or teach. I don't want those decisions to be made for me, just because I have family commitments now.
There are SO MANY women that populate the field of Jewelry and Metalsmthing right now, why are we talking about this more? Many of the fine institutions that nurture our future leaders are run by women. Yet so many of them (that I have had conversations with) are hesitant to start a family because of the time they are required to put towards their institution, practice and exhibition schedule. This is, of course, not a problem specific to our field. Women in the US have to decide at some point if they can have a successful career and a family. Unfortunately, that time when your career is really starting tends to be right around the same time our fertility might be at its peak. Why is that? Why couldn't we have kids into our 60s or 70s like men?
For all you moms out there, moms to be, or ladies considering momhood, I thought starting the conversation about how I am making the mom/career balance work for me might encourage you to ask questions and tell me how it is working for you. I don't think this is just one conversation, so I would love to hear from you! In the mean time, I would like to start a series about my work, my daughter and my practice. I think we'll call it Mama Metalsmith Talk.
First off...it's hard! Negotiating my practice, my husband and my daughter....that life balance, it isn't easy! I recognize that I am so lucky to have a supportive partner. That doesn't mean that I don't work my ass off. Before Hazel came around, I had three jobs. I worked 30 hours a week for another artist, taught classes at two art centers, then there was my practice (making work for galleries, exhibitions and trade shows). About 4 weeks before Hazel was born, I stopped making work, stopped going to the studio and just laid low, which was hard because I am a worker! I enjoy working on several things at once, so this "break" was surprisingly hard for me. Hazel was born and I was totally sucked into her awesomeness. However, after six weeks of baby, I had to get back into the studio. For me, I find that I have to carve out that time for the studio, or just "getting to it," never happens. It was very clear to me that I had to create a schedule to outline my studio time in order to make sure there is always time set aside for me to make my work. For now, I have stopped working for others and commit my time exclusively to my practice and my family. What does that look like you ask? A little something like this...
Monday - Friday
6:30 am - wake up and feed the baby (ugh! so early!)
7:00 - 8:00 am - exercise (daddy watches the baby)
8:00 - 9:00 - shower/breakfast (daddy goes off to work)
9:00 - 10:00 - get baby ready & get to the studio!!
10:00 - 3:00/4:00 - get 3 or 4 stretches of work time anywhere from 40 mins to 1 hr, separated by baby cuddles, feeding, changing & hanging out.
4:00 - 7:00 - head back home, hang exclusively with kiddo, make some dinner, put kiddo to bed, daddy gets home at 7pm
7:00pm - 10:00pm - head back to studio to get some late night solo work done, or computer time
Saturday & Sunday
7:30/8:30 - wake up with baby
10:00am - 5:00pm - studio time. Get all the super noisy/messy or complicated work done while daddy hangs with baby at home.
At least this is what it looks like now! I am very well aware that baby can change at any point and throw the whole schedule off. That being said, having a schedule gives me something to stick to and ensures that both daddy and I get things done that we need to get done. The hardest thing? Motivating myself to leave the house everyday! It's so easy to just stay home, especially when you live in a snowglobe of a city like Chicago.
Would love to hear your comments! Especially if you have any secrets about how to make it work!
xoxo - Sarah
"Areola O Plenty" (brooch)
2014
mild steel, deconstructed brassiere, nylon stockings
"Fountains" (brooch)
2014
mild steel, deconstructed brassiere, nylon stockings
"From B to D in 3 months" (necklace)
2014
mild steel, nylon stockings
"Swelling" (brooch)
2014
mild steel, nylon stockings
This conversation of being a mom and having an artistic career, and whether or not this is supported by our field is a very interesting, current and relevant topic to me. I have to be honest, I was very quiet on social media about being pregnant. I was worried! I thought as soon as curators, galleries and people with potential job opportunities considered me, if they knew I was pregnant, the decision would be made for me. "Oh, she probably won't be able to do it. She's pregnant, ya know." The last thing I want is to not engage with the field any longer. Whether people knew and continued make me offers, or they didn't know and made me offers, whatever I did worked and I was still receiving invitations and acceptance into shows and opportunities. I still wonder if I had been more open about it, if I still would have been invited. This is why I feel the need to start this conversation. I WANT to be a mom and be a participating artist. I WANT to be the one who makes the decision about whether I can participate, travel or teach. I don't want those decisions to be made for me, just because I have family commitments now.
There are SO MANY women that populate the field of Jewelry and Metalsmthing right now, why are we talking about this more? Many of the fine institutions that nurture our future leaders are run by women. Yet so many of them (that I have had conversations with) are hesitant to start a family because of the time they are required to put towards their institution, practice and exhibition schedule. This is, of course, not a problem specific to our field. Women in the US have to decide at some point if they can have a successful career and a family. Unfortunately, that time when your career is really starting tends to be right around the same time our fertility might be at its peak. Why is that? Why couldn't we have kids into our 60s or 70s like men?
For all you moms out there, moms to be, or ladies considering momhood, I thought starting the conversation about how I am making the mom/career balance work for me might encourage you to ask questions and tell me how it is working for you. I don't think this is just one conversation, so I would love to hear from you! In the mean time, I would like to start a series about my work, my daughter and my practice. I think we'll call it Mama Metalsmith Talk.
First off...it's hard! Negotiating my practice, my husband and my daughter....that life balance, it isn't easy! I recognize that I am so lucky to have a supportive partner. That doesn't mean that I don't work my ass off. Before Hazel came around, I had three jobs. I worked 30 hours a week for another artist, taught classes at two art centers, then there was my practice (making work for galleries, exhibitions and trade shows). About 4 weeks before Hazel was born, I stopped making work, stopped going to the studio and just laid low, which was hard because I am a worker! I enjoy working on several things at once, so this "break" was surprisingly hard for me. Hazel was born and I was totally sucked into her awesomeness. However, after six weeks of baby, I had to get back into the studio. For me, I find that I have to carve out that time for the studio, or just "getting to it," never happens. It was very clear to me that I had to create a schedule to outline my studio time in order to make sure there is always time set aside for me to make my work. For now, I have stopped working for others and commit my time exclusively to my practice and my family. What does that look like you ask? A little something like this...
Hazel in the studio
Monday - Friday
6:30 am - wake up and feed the baby (ugh! so early!)
7:00 - 8:00 am - exercise (daddy watches the baby)
8:00 - 9:00 - shower/breakfast (daddy goes off to work)
9:00 - 10:00 - get baby ready & get to the studio!!
10:00 - 3:00/4:00 - get 3 or 4 stretches of work time anywhere from 40 mins to 1 hr, separated by baby cuddles, feeding, changing & hanging out.
4:00 - 7:00 - head back home, hang exclusively with kiddo, make some dinner, put kiddo to bed, daddy gets home at 7pm
7:00pm - 10:00pm - head back to studio to get some late night solo work done, or computer time
Saturday & Sunday
7:30/8:30 - wake up with baby
10:00am - 5:00pm - studio time. Get all the super noisy/messy or complicated work done while daddy hangs with baby at home.
At least this is what it looks like now! I am very well aware that baby can change at any point and throw the whole schedule off. That being said, having a schedule gives me something to stick to and ensures that both daddy and I get things done that we need to get done. The hardest thing? Motivating myself to leave the house everyday! It's so easy to just stay home, especially when you live in a snowglobe of a city like Chicago.
xoxo - Sarah
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Monday, February 2, 2015
New Year, Back at It
Hey Everyone! Are you still out there? It's been a loooooong time since I posted. What can I say? Posting on Instagram is really, really easy.
Well, I'd like to try to post some more on here, and it seems like you all are watching the blog, so I should keep it up, right? Well, since JULY two years ago (when I last posted...whoa!...embarrasing). There has been A LOT going on. Big News this year is that I had a little girl named Hazel (she's amazing) AND I have finally taken the leap and I am a full time studio artist. It's crazy. It's been 4 years since I graduated from school and its finally time to do this thing on my own. I'm pumped! First off...here's Hazel
I mean COME ON! Can she get any CUTER? Annnnd here is our family now. I'm pretty stoked.
So, are you still out there? Are you still paying attention? Give me a shout out if you would still like to see me post some things. Here are a few of my favorite things on my website right now, just in case you are looking for anything super sweet for your sweetheart.
The Design-It-Yourself! Necklace - Necklace has
three different pinbacks so the shape of the necklace can
be changed depending on the shape of the collar of your
shirt. Made of Sterling Silver and Mild Steel.
The Classic Cube Cufflinks - These are as basic
as they come, but if your fella is anything like mine, the
more simple the better. That way he can wear super funky
shirts and not clash, right?
Solid Steel Curl Hoops - These are some of the newest pieces
I've made. The mild steel is all welded together with a 14 karat
gold ear wire. They are super lightweight and I love how visually
chunky they are without being heavy. I'm pretty obsessed with these
Hopefully talk to you again really soon!
xoxo
Sarah
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Saturday, March 30, 2013
Ruta's new necklace
I made a necklace for my friend mike's lady two years ago and the painted steel wire I used just wasn't holding up. I exchanged the yellow painted steel wire for a thicker brass wire that I powder coated with transparent fluorescent yellow. It looks awesome! It's great because when it catches the light just right you can see the fluorescent bits. I think I may need to start finishing brass like this.
Thursday, March 28, 2013
Sometimes I take photos at night
For any of you who have had a chance to chat with me for more than about five minutes after August of last year, I have probably brought up that my husband and I bought our first home last year in the historic and totally awesome neighborhood of Logan Square in Chicago. The nerve racking negotiations of purchasing the home, and on multiple occasions thinking there was no way we would or could actually own it, make the fact that it is ours now even sweeter. It's pretty often that Dave and I look at each other and remark "we actually LIVE here.." Aside from the fact that this section of Logan Square is developing every day, with new great restaurants and bars like Scofflaw (named best new bar by Chicago Magazine), Ground Control and Parson's Chicken and Fish popping up all around us, we actually have a little yard and the house itself is our perfect idea of a home. I am head over heels in love with this place. A few weeks ago, I couldn't sleep and decided to take out my camera and play around with with slow shutter speeds to capture our house at night. It was just after one of the many snow storms that hit us in late February, so there was some great light reflecting everywhere outside. I especially enjoyed the streaks of light as the cars passed by while the shutter was open and the quietness of the house next door that was burned down by lightning in the fall. It's nice to just take a few moments to be thankful for where we are in life and appreciate how lucky we are.
Monday, March 11, 2013
Checking out metalsmiths on Vimeo
Handmade Portraits: Nanopod from Etsy on Vimeo.
MCA: METALSMITHING PROMO from Kaitlyn Chandler on Vimeo.
MetalsmithingDepartment from Lillstreet Art Center on Vimeo.
UWM Jewelry & Metalsmithing from frankie flood on Vimeo.
of course I had to give a few shout outs to my peeps! Nice work!
Wednesday, August 1, 2012
Custom Band Ring Workshop
Monday, June 25, 2012
Sandra Backlund
Sandra Backlund is a a fashion designer from Sweden. Backlund graduated from Beckman's College of Design in 2004 and started her own design label the same year. I enjoy Sandra Backlund's work because of the way it morphs and shifts the slim female body that wears her work. Although her work is mostly knit wear, the fiber becomes architectural, bulbous and exaggerated yet remains absolutely chic.
Backlund has become known for her signature knitting techniques, which Backlund completes by hand, entirely on her own (the only exception being her Fall/Winter 2009-10 to Spring/Summer 2011 collections where she worked with Italian manufactures in order to experiment with coupling machine-led processes). Working between machine knitting and finishing pieces by hand, Backlund's experimentation with knitting processes are exciting and push the boundaries of the traditional sweater.
I also appreciate that Backlund views each of her pieces as individual works of art. She often documents her garments off of the body as art objects, which yields great forms and unusual views of the pieces. Backlund admits to working more like a sculpture than a traditional designer, "I improvise on a tailor's dummy or on myself to discover ideas of shapes or silhouettes that I could never come to think about in my head." I love the way her sculptural discoveries transform thin and slight models into powerful, obscure and often frightening creatures.
I was reminded of how much of love Backlund's work, when I visited The Art Institute of Chicago last week and discovered her work on display. Fashioning the Object is a temporary exhibition on display at the Art Institute until September 13th. I HIGHLY RECOMMEND it. Backlund is one of three design houses included in the exhibit, along with Bless and Boudicca. A very exciting show and there is a great little catalog you can take away with you.
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